Titlebook: New Media, Cultural Studies, and Critical Theory after Postmodernism; Automodernity from Z Robert Samuels Book 2009 Palgrave Macmillan, a d

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Henry Jenkins: Cultural Studies, New Media, and the Ends of the Modern Universityse critical theories in order to undermine critical analysis. Ultimately, Jenkins’ work traces the movement of cultural studies from its roots in postmodern social criticism to its current celebration of the autonomous user of automated culture.

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Automodernity: Globalizing Individualism and Cultural Nihilism from Eminem to toward an identification with disavowed Others. In fact, the three very disparate cultural texts I will be analyzing all share the same fascination with black culture, while they promote a combination of neoliberal autonomy, neoconservative patriarchy, and high tech automation.

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Postmodern Education and Social Ethics after Automodernityconstructions are shaped by larger social, cultural, and historical forces. Thus, postmodern social theory requires a dialectical relation between human agency and social formations.. Ultimately, we need a critical ethical theory that will help us to integrate diverse social movements, political institutions, and individual subjectivities.

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Automodernity: Autonomy and Automation after Postmodernityorces, contemporary individuals turn to automation in order to express their autonomy, and this bringing together of former opposites results in a radical restructuring of traditional, modern, and postmodern intellectual paradigms.

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After Frederic Jameson: A Practical Critique of Pure Theory and Postmodernityendering all concrete political action suspect. To reverse Jameson’s academic theory, I will use the notion of automodernity as a way of distinguishing between a critical mode of postmodern political action and the contemporary automodern backlash against the progressive movements of the nineteenth

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