| 書目名稱 | New Media Dramaturgy | | 副標(biāo)題 | Performance, Media a | | 編輯 | Peter Eckersall,Helena Grehan,Edward Scheer | | 視頻video | http://file.papertrans.cn/666/665454/665454.mp4 | | 概述 | Identifies and examines changes to live performance occasioned by the rise of digital media in contemporary theatre aesthetics.Formulates a new framework for both analyzing and creating contemporary n | | 叢書名稱 | New Dramaturgies | | 圖書封面 |  | | 描述 | This book illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say. Born of the synthesis of new media and new dramaturgy, NMD is practiced and performed in the work of a range of important artists from dumb type and their 1989 analog-industrial machine performance .pH., to more recent examples from the work of Kris Verdonck and his A Two Dogs Company. Engaging with works from a range of artists and companies including: Blast Theory, Olafur Eliasson, Nakaya Fujiko and Janet Cardiff, we see a range of extruded performative technologies operating overtly on, with and against human bodies alongside more subtle dispersed, interactive and experiential media. | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | arts; drama; dramaturgy; media; New Media; performing arts | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-55604-2 | | isbn_ebook | 978-1-137-55604-2Series ISSN 2947-6801 Series E-ISSN 2947-681X | | issn_series | 2947-6801 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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