Titlebook: New Documentary Ecologies; Emerging Platforms, Kate Nash,Craig Hight,Catherine Summerhayes Book 2014 Palgrave Macmillan, a division of Mac

噴出

978-1-349-45666-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2014

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暖昧關(guān)系

arboretum

w Documentary Ecologies traces this form through new opportunities of creating media, new platforms of distribution and new ways for audiences to engage with the real.978-1-349-45666-6978-1-137-31049-1

梯田

Introductionternet documentary.. The documentary impulse has a long history; practitioners are, it seems, still driven to preserve, show, report, explain, persuade and advocate. But it is also an impulse that is constantly seeking new avenues, new ways of capturing the social-historical, or ‘treating’ actuality. and new ways of connecting with an audience.

fulmination

Strategies of Participation: The Who, What and When of Collaborative Documentariesntent (UGC). to populate the content of the documentary. Prosumers ‘treat the world as a place for creation, not for consumption’ (Tapscott and Williams 2008, p. 127); They don’t just browse, they want to collaborate.

Conclave

stressors

座右銘

An Interview with Ingrid Kopp, Director of Digital Initiatives Tribeca Film Instituteorytelling. Working for the independent film network ., she began to explore social media as a way of supporting traditional filmmaking. Over time, she began to appreciate the web as a medium. Ingrid is currently Director of Digital Initiatives at the Tribeca Film Institute (TFI) to support innovative digital documentary production.

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