Titlebook: New Developments in Film Theory; Patrick Fuery Textbook 2000Latest edition The Editor(s) (if applicable) and The Author(s) 2000 body.conce

生意行為

玉米

逗留

Patrick FueryAddresses exciting new ways of thinking about film not tackled by existing texts. Organised around engaging topics, such as love, terror, the gaze, the body, passion and revenge. Covers theoretical pe

范例

草本植物

https://doi.org/10.1007/978-0-333-98569-4body; concept; corpus; culture; discourse; film; film theory; genre; idea; ideology; play; pluralism; post-struc

600

Introduction, not about cinema, but about the concepts that cinema gives rise to and which are themselves related to other concepts’ (Deleuze 1989: 280). In this brief statement we find a comment that summarises one of the most significant turns that film theory has taken in recent times. These theoretical devel

過分自信

Affluence

Ossification

The Shattering Pluralism: Film and Its Discourses, a seemingly unending roll of questions. What, for example, is considered part of this experience? (just the watching? or the conversations afterwards? is remembering a film part of the cinematic experience? are the emotional responses to a film part of cinema? is it the entire film, or just parts o

形上升才刺激

Flesh into Body into Subject: The Corporeality of the Filmic Discourse,tice of the filmic body — which includes the body in film, the transformation of the body through film, and film as a corporeally driven form. In part this will be to explore further some of the critical issues raised by Foucault and Kristeva, but also to extend the idea of a filmic discourse, as il