Titlebook: Networked Music Cultures; Contemporary Approac Rapha?l Nowak,Andrew Whelan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 M

ironic

不安

Banister

Making Sense of Acquiring Music in Mexico City,ed up. The author uses some theoretical concepts from the sociology of music, but also tries to show how the language proposed by later actor-network theorists is still useful when talking about the relation between consumers, technologies and music, particularly in legally complex environments such as Mexico City.

DOTE

Distribution

A Song for Ireland? Policy Discourse and Wealth Generation in the Music Industry in the Context of ng forms of music ‘brand partnerships’. Their findings not only challenge received opinion on the fortunes of the music industry in digital times, but crucially they highlight growing contradictions between IPR policies pursued by successive Irish governments and the wealth return of core music industry players to the Irish economy.

abduction

載貨清單

2634-6613 ange of contributors with diverse backgrounds and expertiseThis collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences

壟斷

,The People’s Mixtape: Peer-to-Peer File Sharing without the Internet in Contemporary Cuba,story, arguing that these cultural texts are woven into, and made sense of through, a distinctly Cuban cultural lens. He suggests that, because of this selective, interpersonal nature, a more apt term for this peer-to-peer file sharing might be ‘the people’s mixtape’.

VEST

,Reading Songs, Experiencing Music: Co-creation, Materiality and Expertise in Beck’s ,,lanned, different Beck-curated versions have been performed and released, thus constituting a valuable source for a cultural analysis in terms of participation, materiality, affection, authority and expertise.

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