Titlebook: Networked Cancer; Affect, Narrative an Carsten Stage Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Health communication.af

aerial

一起

受人支配

排出

Introduction,. spirit of project making, (2) a transmission of . motivated by the fact that followers experience and react to often real-time processes of treatment, recovery and sometimes death, (3) a will and ability to communicate illness . and sometimes with the goal of reaching traditional broadcast media a

colloquial

友好關(guān)系

Virality, Measurement and Biological Citizenship,ick role” described by Talcott Parsons in favour of more activist and participatory illness voices. It, however, moves the focus from blogs to social network sites, primarily Facebook. The chapter more specifically makes a case study of the English (micro)blogger Stephen Sutton, and discusses his wa

云狀

美色花錢

Chronological

Commemoration, Rhythm and the Problem of Charismatic Succession, mourning and digital heritage maintenance after the death of the blogger. Inspired by recent developments in death studies, posthuman theories and material participation, the chapter shows how the platforms challenge existing notions of what a deceased human being is and can do. The article uses He

絆住

Conclusions,ore outlines the importance of the three overall analytical approaches used in the book—empowerment, biopolitics and posthuman biomedia—and three cultural dilemmas—related to the concepts of in/visibility, recognition and connectivity—raised by the entrepreneurial narrative under investigation. The