Titlebook: Neo-Victorianism; The Victorians in th Ann Heilmann,Mark Llewellyn Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Limited

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impact of business being able to assist in reducing poverty and promoting equality of opportunity. There are well recorded instances of poor decision making, plainly unethical actions, and abuse of communities by businesses.There are two issues which are poorly understood but vitally important in th

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Introduction,rder and encouraged altruistic genes to spread through Victorian society, according to an analysis by evolutionary psychologists [in the .]. Their research suggests that classic British novels from the 19th century not only reflect the values of Victorian society, they also shaped them. Archetypal n

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Memory, Mourning, Misfortune: Ancestral Houses and (Literary) Inheritances, the day . . . while at home . . . she was closer to Miss Havisham . . . My mother lived in her memories. Day-to-day events were considered in relation to past experience . . . When the house was burgled and she lost some treasures . . . she mourned not so much for the objects, but for that part of

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Race and Empire: Postcolonial Neo-Victorians,cure the ‘pure’ and original identity of authority). . . . [T]he colonial hybrid is the articulation of the ambivalent space where the rite of power is enacted on the site of desire, making its objects at once disciplinary and disseminatory . . . a negative transparency. If discriminatory effects en

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Spectrality and S(p)ecularity: Some Reflections in the Glass,These had been available for centuries but they now took different forms . . . In the nineteenth century glass became a third or middle term: it interposed an almost invisible layer of matter between the seer and the seen – the sheen of a window, the silver glaze of the mirror, the convexity or conc

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Doing It with Mirrors, or Tricks of the Trade: Neo-Victorian Metatextual Magic,y imagination and the ways in which neo-Victorian texts encourage us to reflect on this influence. The focus of this chapter is again on the genre’s metafictionality, but here we examine the relationship between neo-Victorian author and reader as one that resembles that between conjuror and spectato

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The Way We Adapt Now: or, the Neo-Victorian Theme Park,, paintings, songs, dances, and . were constantly being adapted from one medium to another and then back again. We postmoderns have clearly inherited this same habit, but we have even more new materials at our disposal – not only film, television, radio, and the various electronic media, of course,

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Anna Paltsevau lassen?.[Ein] hinrei?endes, informatives Buch, zugleich eine Darstellung der jüngsten Forschungsergebnisse zum Thema Hund und der Erinnerungen von Homans an die Jahre mit seiner Mischlingshündin Stella … bewe

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