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Titlebook: Neo-Noir as Post-Classical Hollywood Cinema; Robert Arnett Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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樓主: 與生
21#
發(fā)表于 2025-3-25 04:29:11 | 只看該作者
Digital Noir, 2001–Presentelski 2014) the hero re-enters a network of crime from which he had retired. In both sample films, as in all Digital Noir, the heroes come to question the validity of their identity in a new, digital world.
22#
發(fā)表于 2025-3-25 07:46:38 | 只看該作者
Nostalgia Noirto the 1990s. . (Shane Black 2016) represents a growing interest in the 1970s—a first wave of Nostalgia Noir recreating an earlier movement of neo-noir. Nostalgia Noir acts as a consideration of the noir past, reflecting the darker aspects of our collective memories.
23#
發(fā)表于 2025-3-25 14:46:25 | 只看該作者
Hybrid Noirurned to noir to explore the darker implications of the sci-fi genre, which had become overly fixed upon the construction of utopias. With genre hybridity filmmakers bring the noir dream to the foreground while working with another genre.
24#
發(fā)表于 2025-3-25 17:08:20 | 只看該作者
Remake and Homage Noirly Wilder 1944). And at the more abstract end of the spectrum, season one of . (2014), created by Nic Pizzolatto, pays homage to a greater body of classic noir. Remake Noir and Homage Noir demonstrate intertextual post-classical meta-discussions while critiquing historical contexts.
25#
發(fā)表于 2025-3-25 20:47:47 | 只看該作者
26#
發(fā)表于 2025-3-26 02:57:22 | 只看該作者
27#
發(fā)表于 2025-3-26 04:19:13 | 只看該作者
28#
發(fā)表于 2025-3-26 11:53:21 | 只看該作者
978-3-030-43670-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
29#
發(fā)表于 2025-3-26 16:10:59 | 只看該作者
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30#
發(fā)表于 2025-3-26 18:40:53 | 只看該作者
https://doi.org/10.1007/978-3-030-43668-1Neo-Noir; Hollywood Cinema; Hollywood Renaissance Noir; Digital Noir; Post-Classical Cinema; Remake
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