Titlebook: Necromanticism; Traveling to Meet th Paul Westover Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 Autorschaf

清澈

哪有黃油

neologism

defray

令人不快

The Origins of Literary Tourism,rstandably, focus on the Victorian period, when such tourism had arrived as a mature industry and a cultural commonplace.. Nonetheless, literary tourism is a distinctly Romantic formation. To be sure, Romantic literary tourism drew on earlier practices, and tourism continued to evolve long after the

小隔間

William Godwin, Necro-Tourism, and the Empirical Afterlife of the Dead,apher, and novelist, but also as an apostle of literary necro-tourism. His . offers the Romantic era’s most fully developed description of tourism as a quest to locate the dead, helping us to recognize Romanticism’s dependence not just on the past, but more precisely on bodies dead and buried. The .

Measured

Imaginary Pilgrimages: Felicia Hemans, Dead Poets, and Romantic Historiography,cia Hemans highlights tourism’s role in aiding readers’ personal incorporation of literary heritage. In Hemans’s poetry, literary history emerges as a series of intimate interpersonal relationships, felt in the blood and along the heart, carried on in texts and in special spaces. Hemans shows us poe

analogous

Interlude: Necromanticism and Romantic Authorship,ons of writers. A distinctly Romantic “death of the author” emerged from touristic reader-author interactions. Sometimes comical, sometimes poignant, literary tourists’ commerce with writers taught authors that their death was a central fact of their celebrity. Necromantic tourism thus appealed simu

Misnomer

,The Transatlantic Invention of “English” Literary Heritage,In previous chapters, I have focused mainly on homegrown British tourists, but now I turn to other travelers drawn to Britain’s literary shrines. Few scholars have considered the role foreign visitors, especially Americans, played in constructing Britain as the home of great dead poets.. Yet surveyi

B-cell

Illustration, Historicism, and Travel: The Legacy of Sir Walter Scott,Victorian period. The chapter delineates generative interactions between travel, antiquarian texts, and book illustrations. The central figure in this story is Walter Scott, who inspired many of the nineteenth century’s most groundbreaking illustration projects. To engage with Scott-inspired illustr