Titlebook: Navigating Urban Soundscapes; Dublin and Los Angel Annika Eisenberg Book 2023 The Editor(s) (if applicable) and The Author(s), under exclus

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her window to face into her home, to look inwards rather than outwards. Montgomery writes: “In her white gown, with her hair in its two long braids, she looked like the Anne of Green Gables days … of Redmond days … of the House of Dreams days” (277). This ending falls somewhat flat, is “curiously un

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,Conclusion: Rewind–Fast Forward,al video essay and the sonic audio paper, new formats have been explored over the years. This study’s engagement with sound across literature, film, and radio has made it obvious that different mediations of sound create different kinds of epistemologies, and that these complement, support, or contradict one another.

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2523-7888 ncept of urban sound.Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction. offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as cas

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Book 2023ross two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by

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Urban Sonar,s, while (private) conversations in (public) open spaces are easily seen yet hard to keep .track of. This chapter examines the way in which auscultators and auditeurs navigate and transgress the urban space through sound, and introduces the concept of ‘sonic shelter’ and ‘sound masking’.

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