Titlebook: Navigating Unpredictability: Collaborative Networks in Non-linear Worlds; 25th IFIP WG 5.5 Wor Luis M. Camarinha-Matos,Angel Ortiz,Anne-Mar

Costume

牌帶來

Patricia Macedo,Ana Inês Oliveira,Filipa Ferradafamous examples, Wilson ([1945] 2007) compares readers of detective stories to drug addicts and alcoholics, eager to get their next fix and unconcerned with the quality of the product they consume; and Eco describes Fleming’s spy novels as a narrative machine that ‘produces redundancy’ ([1966] 1983,

opprobrious

Ghassen Frikha,Xavier Lorca,Hervé Pingaud,Adel Taweel,Christophe Bortolaso,Katarzyna Borgiel,Elyes Ls in Raymond’s literary and political project: a representation of the margins of society and of its evils aimed at uncovering and overthrowing the power relations embedded beneath its apparently plain surface. One shared element that allows the five novels to be recognizable as part of a composite

豐滿中國(guó)

Ganglion-Cyst

Explores investigative and legal issues related to serial ho.This Brief provides an overview and history of the definition of serial homicide, from the perspectives of psychology, medicine, criminology and forensics. It reviews research to provide a standard definition of serial homicide (as opposed

Ruptured-Disk

Ege Duran,Cemalettin Ozturk,Barry O’Sullivangain power, or out of sheer hatred. Today, murder is a criminal act in every legal system in the world because the right to life, as the predominant value, is protected to the highest degree. Murder is a material crime, and therefore for an act to be recognized as such a crime, its effect has to con

截?cái)?/a>

顛簸地移動(dòng)

改正

.Touches on debates arising from criminology, cultural studiThis book?explores the representation of real-life serial murders as adapted for the screen and popular culture.?Bringing together a selection of essays from international scholars,?.Serial Killing on Screen: Adaptation, True Crime and Popu

酷熱