Titlebook: Navigating Loss in Women‘s Contemporary Memoir; Amy-Katerini Prodromou Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Cont

文化修養(yǎng)

書目名稱Navigating Loss in Women‘s Contemporary Memoir影響因子(影響力)




書目名稱Navigating Loss in Women‘s Contemporary Memoir影響因子(影響力)學科排名




書目名稱Navigating Loss in Women‘s Contemporary Memoir網(wǎng)絡公開度




書目名稱Navigating Loss in Women‘s Contemporary Memoir網(wǎng)絡公開度學科排名




書目名稱Navigating Loss in Women‘s Contemporary Memoir被引頻次




書目名稱Navigating Loss in Women‘s Contemporary Memoir被引頻次學科排名




書目名稱Navigating Loss in Women‘s Contemporary Memoir年度引用




書目名稱Navigating Loss in Women‘s Contemporary Memoir年度引用學科排名




書目名稱Navigating Loss in Women‘s Contemporary Memoir讀者反饋




書目名稱Navigating Loss in Women‘s Contemporary Memoir讀者反饋學科排名

指數(shù)

Amy-Katerini Prodromoultiple organ failure [2]. The pathophysiological changes of ARDS, and its less-severe form the acute lung injury (ALI), are fairly well documented. There is a breakdown in the endothelial and epithelial barrier and gas exchange function in the lung, with neutrophil migration and sequestration [3]. A

AVID

大范圍流行

Amy-Katerini Prodromouch as 95% of ARF in the ICU is secondary to acute tubular necrosis (ATN). Incidence and mortality rates for ARF in and outside the ICU are quite different [1–3]. For example, the incidence of ARF is about 5% outside the ICU and mortality rates are usually < 30%. However, in the ICU, the incidence ca

啪心兒跳動

燦爛

Amy-Katerini Prodromouue ceux-ci soit des facteurs solubles (par exemple système du complément) ou des récepteurs membranaires (par exemple .) ou intracellulaires (par exemple {ennod-like receptors}). Par ailleurs, des signaux endogènes générés par les dommages cellulaires et tissulaires (. [DAMPs]) initiés par les agent

文藝

früher, kann noch immer nicht als entschieden gelten. W?hrend sich bekanntlich ., dem wir mit . die ersten Ver?ffentlichungen darüber vom pathologisch-anatomischen Standpunkt aus verdanken, im ersteren Sinne aussprach und auch nach . eine solche H?ufung unverkennbar ist, steht . ebenso entschieden a

Prologue

Introduction,he wake of a close friend’s suicide. Although she feels it is almost “a shameless act: to attempt to write of it” (139), she invites us through the process of forgetting, remembering and embodying grief, ending with Blanchot’s image of a boy’s unspeakable experience confronting “the disaster … the s

干涉

Trout Tickling for Truth in Narratives of Loss,in order to tell their own truths. The study of loss within memoir necessarily differs from the study of literary portrayals of loss because nonfiction has a bearing on the way we critique texts ostensibly dealing with “truth.” It is important to explore grief in nonfiction texts because of what And

insipid