Titlebook: Native American Adoption, Captivity, and Slavery in Changing Contexts; Max Carocci,Stephanie Pratt Book 2012 The Editor(s) (if applicable)

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ng Native American societies in an interdisciplinary perspective. Highlights the importance of the interaction between perceptions, representations and lived experience associated with the facts of slavery.978-1-349-29635-4978-1-137-01052-0

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啞劇

Book 2012Radically rethinks the theoretical parameters through which we interpret both current and past ideas of captivity, adoption, and slavery among Native American societies in an interdisciplinary perspective. Highlights the importance of the interaction between perceptions, representations and lived experience associated with the facts of slavery.

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https://doi.org/10.1057/9781137010520belonging; English; identity; interaction; perception; traditions; violence

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978-1-349-29635-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature America,

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The Emergence of the Colonial South: Colonial Indian Slaving, the Fall of the Precontact Mississippthe ones with which we are most familiar and whose descendants are recognized today—the Creeks, the Cherokees, the Chickasaws, the Choctaws, the Catawbas, and so on, formed out of the collapse of Mississippian chiefdoms such as Coosa, Mabila, Pacaha, Chicaza, Cofitachequi, and others that existed in the sixteenth century (figure 2.1).

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From Captives to Kin: Indian Slavery and Changing Social Identities on the Louisiana Colonial Frontdrainages for France. Two years later, colonists in tow, La Salle failed to reach the mouth of the river through the Gulf of Mexico, and was murdered by his own men in Texas in 1687. Not until 1699 was Pierre Le Moyne d’Iberville permitted to spearhead occupation of lower Louisiana.

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ng Native American societies in an interdisciplinary perspective. Highlights the importance of the interaction between perceptions, representations and lived experience associated with the facts of slavery.978-1-349-29635-4978-1-137-01052-0

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Visual Representation as a Method of Discourse on Captivity, Focused on Cynthia Ann Parker, sculpture to landscapes. The artistic genres used to represent captive subjects and their captors provide useful information on differing stylistic depictions, particularly when those involved were white European females and Indian males, and how such visual constructs inform the overall written history (Truettner 1991).