Titlebook: Nations and Empires; R. C. Bridges,P. Dukes,W. Scott Textbook 1969Latest edition Macmillan Publishers Limited 1969 empire.Europe.history.n

CRUST

書目名稱Nations and Empires影響因子(影響力)




書目名稱Nations and Empires影響因子(影響力)學(xué)科排名




書目名稱Nations and Empires網(wǎng)絡(luò)公開度




書目名稱Nations and Empires網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Nations and Empires被引頻次




書目名稱Nations and Empires被引頻次學(xué)科排名




書目名稱Nations and Empires年度引用




書目名稱Nations and Empires年度引用學(xué)科排名




書目名稱Nations and Empires讀者反饋




書目名稱Nations and Empires讀者反饋學(xué)科排名

陳舊

The French Revolution and Napoleon,’s relevance to the sombre revolutionary situation of 1793, when, under the impact of foreign war and after the execution of the king, important areas of France and large elements of the French population were openly struggling against the Revolution?

背信

fiscal

Decolonisation,alism of the Kuomintang, the ultimate result was to encourage growth of an autochthonous and powerful Chinese Communist Party (no. 71). Meanwhile in India, Gandhi and Congress were effectively hallenging the British Empire to put its own ideology into practice (no. 72).

triptans

A Perspective of the Mid-1960s,ding documents in this volume as well as the specific issue of European co-operation. Perhaps, too, they fittingly mark the close of an era; at the end of the 1960s, new vistas have opened with the exploration of space and men setting foot on the moon.

擦試不掉

厚臉皮

R. C. Bridges,P. Dukes,J. D. Hargreaves,W. Scottcreenwriting, which suggests that simple screen storytelling requires a build of tension, a climax somewhere near the end, and a coda.. This example shows, neatly, that those who produce screen narrative have certain assumptions about what that narrative should look like, irrespective of content.

廣告

covert

削減