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Titlebook: National Myth and the First World War in Modern Popular Music; Peter Grant Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

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發(fā)表于 2025-3-21 18:50:30 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱National Myth and the First World War in Modern Popular Music
編輯Peter Grant
視頻videohttp://file.papertrans.cn/662/661474/661474.mp4
概述Explores how popular music depicts one of the most studied historical events.Combines memory studies, cultural history and music in a major interdisciplinary study.Utilises a range of approaches such
叢書(shū)名稱Palgrave Studies in the History of Subcultures and Popular Music
圖書(shū)封面Titlebook: National Myth and the First World War in Modern Popular Music; Peter Grant Book 2017 The Editor(s) (if applicable) and The Author(s) 2017
描述.This book looks at the role of popular music in constructing the myth of the First World War.?Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. .National Myth and the First World War in Modern Popular Music. takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great .chansonniers .Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey..
出版日期Book 2017
關(guān)鍵詞World War One; National myths; Popular memory; Nationalism; Remembrance
版次1
doihttps://doi.org/10.1007/978-1-137-60139-1
isbn_softcover978-1-349-95880-1
isbn_ebook978-1-137-60139-1Series ISSN 2730-9517 Series E-ISSN 2730-9525
issn_series 2730-9517
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:20:03 | 只看該作者
Palgrave Studies in the History of Subcultures and Popular Musichttp://image.papertrans.cn/n/image/661474.jpg
板凳
發(fā)表于 2025-3-22 04:15:28 | 只看該作者
https://doi.org/10.1007/978-1-137-60139-1World War One; National myths; Popular memory; Nationalism; Remembrance
地板
發(fā)表于 2025-3-22 05:48:19 | 只看該作者
Peter GrantExplores how popular music depicts one of the most studied historical events.Combines memory studies, cultural history and music in a major interdisciplinary study.Utilises a range of approaches such
5#
發(fā)表于 2025-3-22 10:56:52 | 只看該作者
Conclusion: Music and the Centenary,Looks briefly at how various national War myths are influencing the way in which the centenary of the War is being presented in different countries, especially through the use of music. Draws some final conclusions on the relationship between popular music, memory and national myth making.
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發(fā)表于 2025-3-22 13:02:42 | 只看該作者
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發(fā)表于 2025-3-22 17:05:41 | 只看該作者
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發(fā)表于 2025-3-22 21:32:24 | 只看該作者
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發(fā)表于 2025-3-23 03:02:51 | 只看該作者
Words and Music,ferences between the War myths of Australia and Canada are brought out through an analysis of a key song from each country: Eric Bogle’s ‘And the Band Played Waltzing Matilda’ and Bryan Adam’s ‘Remembrance Day’ respectively.
10#
發(fā)表于 2025-3-23 08:25:48 | 只看該作者
The Voice of the People, transnational themes. They include Moussu T et lei Jovents, Jean-Jaques Goldman and Manau..The chapter then considers Anglo-Saxon folk artists, most notably Bob Dylan, Eric Bogle, Shirley Collins, June Tabor, Mike Harding and Al Stewart.
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