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Titlebook: National Identity in 21st-Century Cuban Cinema; Screening the Repeat Dunja Fehimovi? Book 2018 The Editor(s) (if applicable) and The Author

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21#
發(fā)表于 2025-3-25 03:34:14 | 只看該作者
22#
發(fā)表于 2025-3-25 10:38:51 | 只看該作者
Dunja Fehimovi?nd in-service teachers can be prepared to teach in ways that support children’s development in cultural and historical contexts. In doing so, the book affirms the value of cultural-historical activity theory as an appropriate framework for analyzing preschool children’s participation in science lear
23#
發(fā)表于 2025-3-25 15:02:15 | 只看該作者
24#
發(fā)表于 2025-3-25 16:17:15 | 只看該作者
Book 2018nal haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world..
25#
發(fā)表于 2025-3-25 22:52:30 | 只看該作者
978-3-030-06589-8The Editor(s) (if applicable) and The Author(s) 2018
26#
發(fā)表于 2025-3-26 00:33:18 | 只看該作者
27#
發(fā)表于 2025-3-26 04:42:21 | 只看該作者
28#
發(fā)表于 2025-3-26 09:52:38 | 只看該作者
29#
發(fā)表于 2025-3-26 15:16:15 | 只看該作者
30#
發(fā)表于 2025-3-26 17:52:19 | 只看該作者
,Not Child’s Play: Tactics, Strategies, and Heterotopias,g de Certeau’s distinction between ‘tactics’ and ‘strategies’, this analysis also highlights how the directors use figures associated with universality, affect, and the apolitical in order to juggle national acceptance and international marketability.
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