Titlebook: Narrative and Representation in the Poetry of Wallace Stevens; A Tune beyond Us, Ye Daniel R. Schwarz Book 1993 Palgrave Macmillan, a divis

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Sputum

The Quest for Unity: ,’; each part is composed of ten sections. But ‘Must’ is really, as we shall see, optative; each part could be subtitled ‘It Must be Possible’ – or, better, ‘If it Were Possible’. The poem also has an opening dedication to Henry Church and an epilogue linking the poet to the soldier.

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Ligament

,‘Thirteen Ways of Looking at a Blackbird’: Stevens’s Cubist Narrative,mphasize the contemplation of reality, not reality itself. The blackbird is something of an . factor whose identity changes in relation to the speaker’s mood and context. As the title and insistence on verbs of looking, knowing, and seeing stress, the poem is about what we know and how we know it. E

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,Defining the Figure of Capable Imagination: ‘The Idea of Order at Key West’, ‘Asides on the Oboe’ a that emphasize the narrative and mimetic possibilities of such a figure. Stevens is responding to the tradition of the romantic bard, but he can no longer embrace the vision that the poet is the acknowledged legislator of the world. What Stevens enacts is the . of knowing, feeling, and creating.

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thalamus

otic-capsule

abduction