Titlebook: Narrating Class in American Fiction; William Dow Book 2009 William Dow 2009 America.body.corpus.design.fiction.god.history.history of lite

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,Class and the Performative in Rebecca Harding Davis’s ,, and Stephen Crane’s ,hat would expose the normally invisible and often deliberately concealed affairs of political and economic life. If the effacement of self was one of the effects of nineteenth-century naturalism, as one critic has recently argued,. then the foregrounding of a world in which action and meaning are in

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,Body Tramping, Class, and Masculine Extremes: Jack London’s , that brought different class worlds (e.g., middle- and upper-class, middle- and lower-class) together. Accordingly, . and . handle class anxieties at a more properly aesthetic level, though with unsettling literary approaches to the nature of class difference and mobility. Like many other nineteent

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