Titlebook: Nanomaterialien; in Architektur, Inne Sylvia Leydecker Book 2008Latest edition Birkh?user Basel 2008 Architekten.Architektur.Design.Einfami

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書目名稱Nanomaterialien影響因子(影響力)




書目名稱Nanomaterialien影響因子(影響力)學(xué)科排名




書目名稱Nanomaterialien網(wǎng)絡(luò)公開度




書目名稱Nanomaterialien網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Nanomaterialien被引頻次




書目名稱Nanomaterialien被引頻次學(xué)科排名




書目名稱Nanomaterialien年度引用




書目名稱Nanomaterialien年度引用學(xué)科排名




書目名稱Nanomaterialien讀者反饋




書目名稱Nanomaterialien讀者反饋學(xué)科排名

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tch“.—had been thriving for decades. Discussing contemporary literature, Zola presents Claude Bernard’s . (1865) as a template for the novel. He maintains that, following in the tracks of contemporary science, the writer must turn away from the abstract metaphysical man to the natural human being, w

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ibuted to the rise of mass culture, which was rapidly dislocating art from its elite position. In his seminal essay, Walter Benjamin argued that the most critical element that “withers in the age of mechanical reproduction is the aura of the work of art.”. The decay of this aura and the loss of auth

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critical attention, with the text considered a bibliographical curiosity. Varshavsky, Yanovsky, Berberova, and Odoevtseva, whose prewar prose works recently came out in annotated volumes, are appreciated today by non-specialist readers, primarily for their memoirs, rather than fiction. Bakunina enjo

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tch“.—had been thriving for decades. Discussing contemporary literature, Zola presents Claude Bernard’s . (1865) as a template for the novel. He maintains that, following in the tracks of contemporary science, the writer must turn away from the abstract metaphysical man to the natural human being, w

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