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Titlebook: Nano-Optics: Principles Enabling Basic Research and Applications; Baldassare Di Bartolo,John Collins,Luciano Silvest Conference proceeding

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樓主: Annihilate
51#
發(fā)表于 2025-3-30 08:47:26 | 只看該作者
52#
發(fā)表于 2025-3-30 13:44:57 | 只看該作者
Maura Cesaria,Baldassare Di Bartolognised as one of its most accessible and influential proponents, in his attempt to surpass conceptually the fundamental limitations he believes to have been introduced by a dualistic, Cartesian world-view and the dominance of the mind-set of the natural sciences. The rationalistic isolation of the t
53#
發(fā)表于 2025-3-30 19:32:46 | 只看該作者
54#
發(fā)表于 2025-3-30 23:07:01 | 只看該作者
55#
發(fā)表于 2025-3-31 02:43:15 | 只看該作者
Martin Wegenerritish Romanticism.Explores the idea that the Shelley circleThis book addresses the function of the classical world in the cultural imaginations of the second generation of romantic writers: Percy Shelley, Mary Shelley, Thomas Love Peacock, John Keats, Leigh Hunt, and the rest of their diverse circl
56#
發(fā)表于 2025-3-31 05:34:29 | 只看該作者
Rosa M. Montereali,Aleksandr P. Voitovichs confessional pieces, in the manner pioneered by Coleridge and Wordsworth in 1797, but stop short of actually revealing the circumstances that generate the emotional states they explore. Cryptic suggestions, pregnant phrases, and arch hints substitute for plain exposition; the writer seems coy; rea
57#
發(fā)表于 2025-3-31 10:18:57 | 只看該作者
58#
發(fā)表于 2025-3-31 16:17:30 | 只看該作者
59#
發(fā)表于 2025-3-31 20:22:04 | 只看該作者
Wolfram Pernices confessional pieces, in the manner pioneered by Coleridge and Wordsworth in 1797, but stop short of actually revealing the circumstances that generate the emotional states they explore. Cryptic suggestions, pregnant phrases, and arch hints substitute for plain exposition; the writer seems coy; rea
60#
發(fā)表于 2025-4-1 00:59:19 | 只看該作者
John W. Bowen however, had originated not in the city, and not in Southey’s presence, but in Nether Stowey in Wordsworth’s. That they reached the public for the first time in the . reveals the renewed importance of Southey as Coleridge’s friend and as the editor and organizer who brought the coterie’s poems to p
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