Titlebook: Nachhaltigkeit und organisationales Lernen; Eine transdisziplin? Regina Lülfs Book 2013 Springer Fachmedien Wiesbaden 2013 Nachhaltigkeit.O

Arthur

書目名稱Nachhaltigkeit und organisationales Lernen影響因子(影響力)




書目名稱Nachhaltigkeit und organisationales Lernen影響因子(影響力)學(xué)科排名




書目名稱Nachhaltigkeit und organisationales Lernen網(wǎng)絡(luò)公開度




書目名稱Nachhaltigkeit und organisationales Lernen網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Nachhaltigkeit und organisationales Lernen被引頻次




書目名稱Nachhaltigkeit und organisationales Lernen被引頻次學(xué)科排名




書目名稱Nachhaltigkeit und organisationales Lernen年度引用




書目名稱Nachhaltigkeit und organisationales Lernen年度引用學(xué)科排名




書目名稱Nachhaltigkeit und organisationales Lernen讀者反饋




書目名稱Nachhaltigkeit und organisationales Lernen讀者反饋學(xué)科排名

織物

n contributor draws on the kind of material in ‘The Lantern Bearers’, . (1892), in which Stevenson records his delight in exploring, climbing, picnicking, angling, exploring tidal pools, braving the icy water for a bathe, and learning to smoke. The events described here occurred on the North Berwick

乞丐

Regina Lülfsich Have Influenced Me’, ‘a(chǎn) book which tumbled the world upside down for me, blew into space a thousand cobwebs of genteel and ethical illusion, and, having thus shaken my tabernacle of lies, set me back on a strong foundation of all the original and manly virtues’ (. 64).

發(fā)出眩目光芒

和音

Regina Lülfsding to this model of literary evolution, was the undeveloped form of realism. Thus realism became securely associated with the contemporary, the rational, the adult, and the literate, while romance, increasingly a residual cultural form, bore connotations of the primal, the instinctual, the immatur

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Regina Lülfs mythology and physiological aesthetics, as practised by Andrew Lang and Grant Allen. Similarly, contemporary writers often expressed evolutionist understandings of creativity: for Kipling, the artist’s imagination represented his memory of past lives and, for Wilde, ’concentrated race-experience’.

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mythology and physiological aesthetics, as practised by Andrew Lang and Grant Allen. Similarly, contemporary writers often expressed evolutionist understandings of creativity: for Kipling, the artist’s imagination represented his memory of past lives and, for Wilde, ’concentrated race-experience’.

OFF

978-3-658-00304-3Springer Fachmedien Wiesbaden 2013

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