| 書(shū)目名稱 | Movement, Time, Technology, and Art | | 編輯 | Christina Chau | | 視頻video | http://file.papertrans.cn/640/639758/639758.mp4 | | 概述 | Provides a contemporary analysis of the intersections between time technology and art.Embarks on a new deconstruction of the history of kinetic art, which is often thought of as a precursor to compute | | 叢書(shū)名稱 | Springer Series on Cultural Computing | | 圖書(shū)封面 |  | | 描述 | This book explores the ways in which artists use technology to create different perceptions of time in art in order to reflect on contemporary relationships to technology. By considering the links between technology, movement and contemporary art, the book explores changing relationship between temporality in art, art history, media art theory, modernity, contemporary art, and digital art..This book challenges the dominant view that kinetic art is an antiquated artistic experiment and considers the changing perception of kinetic art by focusing on exhibitions and institutions that have recently challenged the notion of kinetic art as a marginalised and forgotten artistic experiment with mechanical media. This is achieved by deconstructing Frank Popper’s argument that kinetic art is a precursor to subsequent explorations in the intersections between art, science and technology..Rather than pandering to the prevailing art historicalassumption that kinetic sculpture is merely a precursor to art in a digital culture, the book proposes that perhaps kineticism succeeded too well, where movement has become a ubiquitous element of the aesthetic of contemporary art. If, as Boris Groys has r | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | Kinetic Art; Kineticism; Contemporary Art; Mechanical Age,; Art Science and Technology; Motion Studies; In | | 版次 | 1 | | doi | https://doi.org/10.1007/978-981-10-4705-3 | | isbn_softcover | 978-981-13-5206-5 | | isbn_ebook | 978-981-10-4705-3Series ISSN 2195-9056 Series E-ISSN 2195-9064 | | issn_series | 2195-9056 | | copyright | Springer Nature Singapore Pte Ltd. 2017 |
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