| 書目名稱 | Movement in Renaissance Literature | | 副標(biāo)題 | Exploring Kinesic In | | 編輯 | Kathryn Banks,Timothy Chesters | | 視頻video | http://file.papertrans.cn/640/639754/639754.mp4 | | 概述 | Pioneers a rich new scholarly approach of applying kensic intelligence theories to Renaissance texts.Presents a range of Renaissance writers and thinkers including Shakespeare, Montaigne, and Scève.Ut | | 叢書名稱 | Cognitive Studies in Literature and Performance | | 圖書封面 |  | | 描述 | .This book investigates how writers and readers of Renaissance literature deployed ‘kinesic intelligence’, a combination of pre-reflective bodily response and reflective interpretation. Through analyses of authors including Petrarch, Rabelais, and Shakespeare, the book explores how embodied cognition, historical context, and literary style interact to generate and shape responses to texts. It suggests that what was reborn in the Renaissance was partly a critical sense of the capacities and complexities of bodily movement. The linguistic ingenuity of humanism set bodies in motion in complex and paradoxical ways. Writers engaged anew with the embodied grounding of language, prompting readers to deploy sensorimotor attunement. Actors shaped their bodies according to kinesic intelligence molded by theatrical experience and skill, provoking audiences to respond to their most subtle movements. An approach grounded in kinesic intelligence enables us to re-examine metaphor, rhetoric, ethics, gender, and violence. The book will appeal to scholars and students of English, French, and Italian Renaissance literature and to researchers in the cognitive humanities, cognitive sciences, and theatr | | 出版日期 | Book 2018 | | 關(guān)鍵詞 | Kinesic intelligence; embodied cognition and Renaissance Literature; "To His Coy Mistress"; Montaigne‘s | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-69200-5 | | isbn_softcover | 978-3-319-88729-6 | | isbn_ebook | 978-3-319-69200-5Series ISSN 2945-7297 Series E-ISSN 2945-7300 | | issn_series | 2945-7297 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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