| 書(shū)目名稱(chēng) | Moments in Indonesian Film History | | 副標(biāo)題 | Film and Popular Cul | | 編輯 | David Hanan | | 視頻video | http://file.papertrans.cn/639/638749/638749.mp4 | | 概述 | Explores Indonesian film in three major political eras: the Sukarno, Suharto and the post-Suharto Reform periods.One of the few books written on Indonesian cinema by a Film Studies specialist with a b | | 圖書(shū)封面 |  | | 描述 | .This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors. | | 出版日期 | Book 2021 | | 關(guān)鍵詞 | Visual Anthropology; Film Studies; Indonesian and South East Asian Studies; Postcolonial; Human Rights; P | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-72613-3 | | isbn_softcover | 978-3-030-72615-7 | | isbn_ebook | 978-3-030-72613-3 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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