Titlebook: Metaphor and Shakespearean Drama; Unchaste Significati Maria Franziska Fahey Book 2011 Palgrave Macmillan, a division of Macmillan Publishe

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,“Ears of Flesh and Blood”: Dead Metaphors and Ghostly Figures in ,dered, reports a dream visit by two ghosts who cried “Revenge”—one “fresh-paunched with bleeding wounds” and a second that “assumed [his] father’s shape” (Antonio’s Revenge 1.3.43-6). Balurdo responds with the account of his own “monstrous strange dream” of the ghost of a simile:

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,“Strange Fish”: Transport and Translation in ,y include “whelp” (1.2.283), “slave” (1.2.309), “villain” (1.2.310), “earth” (1.2.315), “tortoise” (1.2.317), “filth” (1.2.346), “savage” (1.2.356), “thing” (1.2.358), “Hag-seed” (1.2.366), “malice” (1.2.368), “fish” (2.2.25), “monster” (2.2.30), “cat” (2.2.82), “mooncalf” (2.2.105), “man-monster” (

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https://doi.org/10.1057/9780230308800drama; Hamlet; Macbeth; Shakespearean drama; William Shakespeare; British and Irish Literature

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,“Ears of Flesh and Blood”: Dead Metaphors and Ghostly Figures in ,dered, reports a dream visit by two ghosts who cried “Revenge”—one “fresh-paunched with bleeding wounds” and a second that “assumed [his] father’s shape” (Antonio’s Revenge 1.3.43-6). Balurdo responds with the account of his own “monstrous strange dream” of the ghost of a simile:

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Proving Desdemona Haggard: Metaphor and Marriage in ,[F]or we all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them. (George Eliot, .)