Titlebook: Men, Masculinity, Music and Emotions; Sam Boise Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Masculinity.music.gender an

EFFCT

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書目名稱Men, Masculinity, Music and Emotions被引頻次




書目名稱Men, Masculinity, Music and Emotions被引頻次學科排名




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書目名稱Men, Masculinity, Music and Emotions讀者反饋




書目名稱Men, Masculinity, Music and Emotions讀者反饋學科排名

疲勞

Orgasm

,Boys Don’t Cry? Men, Masculinity and Emotions, and women’s emotions develop in different ways in different cultural contexts. However we can confidently say that if differences do exist between men’s and women’s emotional lives, they are patently not predetermined from birth. The question, then, is how we might be able to explain these differences.

DECRY

用樹皮

averse

Distaste, Discourse and the Politics of Emotional Authenticity,erious’ music listening and taste. This indicates that specific emotions, rather than emotionality generally, have gendered histories and therefore impacts on which displays and which emotions are (publicly) acceptable and unacceptable.

特別容易碎

Introduction, of hands became exclusively women. This happened every year for five years. Of course, it’s a well-documented medical fact that only women can suffer from PMT and this leads to ‘irrational’ mood swings, right? Male brains and bodies are just wired differently that’s all.

利用

Affect, Embodiment and Masculinity,e bodies as social constructs, there is a tendency to overlook how these constructs shape experience or to assume that emotions are entirely social and therefore replace a biologically essentialist determinism with a constructionist one (Craib 1995; Kemper 1981).

小爭吵

https://doi.org/10.1057/9781137436092Masculinity; music; gender and emotion; feminism; men; emotion; gender; politics; Sex; sociology

搖擺