Titlebook: Memory, Subjectivities, and Representation; Approaches to Oral H Rina Benmayor,María Eugenia Cardenal Nuez,Pilar Do Book 2016 The Editor(s)

只看該作者 · 發(fā)表于 2025-3-21 18:27:37

書目名稱Memory, Subjectivities, and Representation影響因子(影響力)

書目名稱Memory, Subjectivities, and Representation影響因子(影響力)學科排名

書目名稱Memory, Subjectivities, and Representation網(wǎng)絡公開度

書目名稱Memory, Subjectivities, and Representation網(wǎng)絡公開度學科排名

書目名稱Memory, Subjectivities, and Representation被引頻次

書目名稱Memory, Subjectivities, and Representation被引頻次學科排名

書目名稱Memory, Subjectivities, and Representation年度引用

書目名稱Memory, Subjectivities, and Representation年度引用學科排名

書目名稱Memory, Subjectivities, and Representation讀者反饋

書目名稱Memory, Subjectivities, and Representation讀者反饋學科排名

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只看該作者 · 發(fā)表于 2025-3-22 00:34:04

“Gendered” Memories: Women’s Narratives from the Southern Coneon in political, cultural, and social movements. Energized by feminism and the sexual revolution worldwide, women claimed their protagonism in political, social, and cultural debates and, hence, constructed new subject positions for themselves.

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Migration, Sex Work, and Stigma: An Analysis in Biographical Codet stigma. that limits and thwarts their personal ambitions and freedom of choice. Nonetheless, sex workers adopt a variety of strategies to get ahead in life. This combination of the social limitations they face and the strategies they use is precisely what makes an analysis of their discourses important.

只看該作者 · 發(fā)表于 2025-3-22 11:46:19

Book 2016tten in Spanish, Portuguese, and English, coalesce around major themes that have long concerned oral historians and social scientists: collective memories of conflictive national pasts, subjectivity in re/framing social identities, and visual and performative re/presentations of identity and public

只看該作者 · 發(fā)表于 2025-3-22 16:34:17

2731-5673 uguese-speaking worlds. Eleven essays, originally written in Spanish, Portuguese, and English, coalesce around major themes that have long concerned oral historians and social scientists: collective memories of conflictive national pasts, subjectivity in re/framing social identities, and visual and

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