Titlebook: Memory in Play; From Aeschylus to Sa Attilio Favorini Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 drama.history of

miscreant

國(guó)家明智

,Memory Plays before “Memory Play”, and psychological corner, even as their Renaissance counterparts searched the globe; as the contestants of French classical theatre are conflicted between duty and desire; as dramatic characters from the Romantic age are isolated above, below, or outside society—modernist dramatis personae are natural rememberers.

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使無(wú)效

帳單

Drama and the History of Memory,ly couched in a vocabulary that was old in Aristotle’s time. Though the history of memory has been addressed occasionally by historians of psychology and glancingly by philosophers, there has been no comprehensive attempt to correlate developing concepts of memory with dramatic representations of me

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Culmination

cogitate

Confrontation or Convergence: Staging the Encounter of History and Memory,he previous chapter. I do not want memory to slip away into the abstraction of pattern recognition or recategorization on the one hand, and neural or chemical or electrical pulsing on the other. If memory is “nothing but” recategorization, how is memory connected to the already actualized? How can c