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Titlebook: Melancholy Experience in Literature of the Long Eighteenth Century; Before Depression, 1 Allan Ingram,Stuart Sim,Leigh Wetherall-Dickson Bo

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發(fā)表于 2025-3-21 16:39:44 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Melancholy Experience in Literature of the Long Eighteenth Century
副標(biāo)題Before Depression, 1
編輯Allan Ingram,Stuart Sim,Leigh Wetherall-Dickson
視頻videohttp://file.papertrans.cn/631/630280/630280.mp4
圖書封面Titlebook: Melancholy Experience in Literature of the Long Eighteenth Century; Before Depression, 1 Allan Ingram,Stuart Sim,Leigh Wetherall-Dickson Bo
描述Arising?from a research project on depression in the eighteenth century, this book discusses the experience of depressive states both in terms of existing modes of thought and expression, and of attempts to describe and live with suffering. It also asks what present-day society can learn about depression from the eighteenth-century experience.
出版日期Book 2011
關(guān)鍵詞English literature; poetry; society; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230306592
isbn_softcover978-1-349-31949-7
isbn_ebook978-0-230-30659-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2011
The information of publication is updating

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Fashionable Melancholy, part of this volume attests to the profound misery that melancholy and its cognates caused to people rich and poor, male and female, young and old. Nevertheless, the student of eighteenth-century melancholy is faced with a problem: for much of the period, melancholy was frothily fashionable, a cond
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,‘Strange Contrarys’: Figures of Melancholy in Eighteenth-Century Poetry,oetry finds terms for, and how it comes to terms with, melancholy in the eighteenth century, focusing in particular on the first half and the middle decades, with the cult of darkness and gloom manifest in the graveyard poetry tradition, and concluding with William Cowper. The voices are various and
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Despair, Melancholy and the Novel,entury, drawing criticism from such as Robert Burton and Richard Baxter (for whom it was a cause of ‘overmuch sorrow’);. although, as Jeremy Schmidt has pointed out, for many others at the time it could also be interpreted as a spiritually promising sign of concern for the state of one’s soul.. One
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https://doi.org/10.1057/9780230306592English literature; poetry; society; British and Irish Literature
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