Titlebook: Media, Memory, and Human Rights in Chile; Kristin Sorensen Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 culture.di

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Public Protests,od’s . (2004), to witness the frequency and magnitude with which Chileans from all ends of the political spectrum took to the streets. The 1973 coup effectively ended the era of massive demonstrations for ten years until the pro-democracy movement managed to begin them again, on a monthly basis, in

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Conclusion,ions of Pinochet’s regime circulating either in the media or the larger cultural and public sphere. My perceptions of Chile were formed primarily through watching the documentaries of Patricio Guzmán, especially . (1997), in which you see members of a traumatized nation remain silent except for occa

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Introduction,ster. To his surprise as well as that of the rest of the world, his hospital recovery room was stormed by British police officers who pronounced him under arrest. Spanish Judge Baltasar Garzón was requesting his extradition to Spain, where he would be tried for the torture, murder, and the disappearance of Spanish citizens in Chile.

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The , Phenomenon, the footage again at the start of his 1997 documentary, .. In both instances, Guzmán used those moments of the Chilean Air Force bombings as a historical anchor point, capturing the audience’s attention with these dramatic minutes frozen in time.