Titlebook: Media and Nostalgia; Yearning for the Pas Katharina Niemeyer (associate professor) Book 2014 Palgrave Macmillan, a division of Macmillan Pu

Incommensurate

Retromania: Crisis of the Progressive Ideal and Pop Music Spectrality design), in listening habits, in institutional frameworks established for pop culture (commemorative events, its integration into museums, etc), in behaviours and fashion styles (the increasing number of ‘retro’ movements), in visual as well as symbolic spheres, pop always refers to its history and

Vaginismus

Retrotyping and the Marketing of Nostalgiaing divergence between experience and expectation that has developed in the modern and late-modern periods, it becomes manifest in a wide range of forms, with the feelings, meanings and values associated with it being dependent on specific social and historical contexts. We have sketched out the gen

解凍

修飾語

Networks as Media for Nostalgia in an Organisational Contextective is reflected in the organisational literature, for example through the work of Strangleman (1999), Brown and Humphreys (2002) or McCabe (2004), who show how nostalgia can be present in an organisational setting. These works also highlight that nostalgia is a social emotion that is shared and

DEVIL

Media and the Closure of the Memory Boom the availability of the video cassette recorder, the premiere screening of the Holocaust television miniseries on NBC in 1978 (Shandler, 1999) and the 1980 publication of the English translation of the Godfather of collective memory: Maurice Halbwachs’ . .. Since then: boom, boom, boom! By whatever

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想象

MIME

The Television Channel ARTE as a Time Machine and Matrix for European Identityan identity contractor’ (Cohen, Dezalay and Marchetti, 2007). ARTE is no stranger to nostalgic trends. Over several years, ARTE featured a special summertime programme entitled the ‘Summer of…’ series. Launched in 2008, it revisited the past by playing musical hits from former decades. It began with

逗它小傻瓜

Nostalgia, Tinted Memories and Cinematic Historiography: On Otto Preminger’s , (1958)mity of physical and chemical procedures in the perception of the world. Inscriptions of light on film surfaces can create pleasant effects of shades and tones, but when applied excessively they ruin the surface and destroy the image. A similar phenomenon occurs on human skin. If exposed to the sun,

BAIL

Creative Nostalgia for an Imagined Better Future: , by the Migrant Filmmaker Alvaro Bizzarrin the late 1950s to serve as an apprentice blacksmith and became a typical and essential figure in Swiss film history (Buache, 1978; Schaub, 1985; Schlappner and Schaub, 1987; Dell’Ambrogio, 2004; Dumont and Tortajada, 2007; La Barba and Mayenfisch, 2009). As part of a larger research project in pro