Titlebook: Media and Communication in the Soviet Union (1917–1953); General Perspectives Kirill Postoutenko,Alexey Tikhomirov,Dmitri Zakhar Book 2022

恃強(qiáng)凌弱

Visual Channels (1): Posters and Fine Arttion. Posters took pride of place during the civil war and were again mass produced in the 1930s to communicate the regime’s goals. Fine art enjoyed higher cultural status and its importance derived from this, the loci in which it was shown (top state institutions and cultural venues) and the symbol

countenance

個人長篇演說

Muscularis

Auditory Channels: Crowing Roosters and Wailing Sirensst. What types of listening experience were shared by the multiethnic population inhabiting the rural parts of Russian Empire? And what was the contribution of auditory channels to the mediation of social values associated with industry and industrialization? The chapter analyses acoustic characteri

Occipital-Lobe

Conspiracy

Public Body (1): Popular Assembliese, including standard media, and also strongly influenced private conversations. Throughout the century, popular assemblies remained a common feature of Soviet-type societies. In accordance with speech act theory, Soviet gatherings could be seen as “performative acts” rather than “meaningless ritual

COLIC

Malfunction

Public Body (3): State Celebrations and Street Festivitiesneteenth century industrialization and urbanization posed a problem of social cohesion nearly everywhere, and Soviet Union was no exception: in the place of traditional “.,” a new type of solidarity had to be created. The ideal model of modern community was constructed in and promoted by such small-

CRUE

織布機(jī)