Titlebook: Media Archaeology and Intermedial Performance; Deep Time of the The Nele Wynants Book 2019 The Editor(s) (if applicable) and The Author(s),

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Kristof van Baarles group is the “material with which it deals”: the recorded voice, the interview. We have staunchly defended oral history’s relevance and reliability through the decades, yet, with few exceptions, the orality/aurality that defined our material was consistently stripped away in the textual act of arc

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Rudi Knoopser of the heads of grandee households and to increase their dependency on his largesse.. For that reason, the heads of grandee households undertook various steps to augment their income: tax farming, private investments in agriculture and industry, commercial and real estate dealings, money lending,

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Book 2019her than treating archaeological remains as representative tokens of a fragmented past that need tobe preserved, the authors stress the return of the past in the present, but in a different, performative guise.

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2946-3092 ment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need tobe preserved, the authors stress the return of the past in the present, but in a different, performative guise.978-3-319-99576-2Series ISSN 2946-3092 Series E-ISSN 2946-3106

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Mechanisms in the Mist: A Media Archaeological Excavation of the Mechanical Theatercenographic inspiration for popular touring spectacles like peepshows, puppet shows, and .. A particularly interesting case was a spectacle known by many names, such as ., ., or Theatre of the Arts. Its formation took place in the eighteenth century, but its true era of prominence was the nineteenth

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