Titlebook: Meaning-Making in the Contemporary Congregational Song Genre; Daniel Thornton Book 2021 The Editor(s) (if applicable) and The Author(s), u

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Contemporary Congregational Songs,Christian Copyright Licensing International’s biannual Church Copyright License and SongSelect reports and on YouTube views. A rationale is provided regarding how these most sung songs are representative of the global CCS genre.

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The Contemporary Congregational Song Industry (Poietic Analysis Pt 1),the world of CCS production. These anecdotes feature the backstories to the creation of “In Christ Alone”, “Amazing Grace (My Chains Are Gone)”, and “10,000 Reasons”. They explore some of the influences on the evolution of the genre and the changing financial landscape for CCS creators.

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Book 2021ch engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians.? ..Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these so

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The Old and New Guard: Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analheir various roles and responsibilities in all areas of their life and how those impact their writing. The chapter finishes by bringing the perspectives of the poietic analysis together to highlight some of the tensions between industry and ministry, and summarise the meaning-making processes within the production milieu.

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How Christians Feel About the Songs They Sing: Corporately (Esthesic Analysis Pt 2),h services, including service and sermon durations. The conclusion brings together the researcher’s survey findings and those of the NCLS to articulate some of the meaning-making processes Christians engage in relating to CCS.

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Just Another Pop Song? The Music (Trace Analysis Pt 1),ignatures, and structural elements are also explored. The features of the corpus are defined and considered in light of what they mean for the genre. CCS hold in tension elements of secular popular music and those of vernacular music in a way that makes them uniquely definable among other genres.

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