Titlebook: Maternal Performance; Feminist Relations Lena ?imi?,Emily Underwood-Lee Book 2021 The Editor(s) (if applicable) and The Author(s), under ex

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,Birth (4?Months),human history and yet each birth story will be unique. In this chapter we explore the relational narrative (Cavarero, 2000) as a means of narrating birth as a moment of becoming together: the mother becoming with her child and the performer becoming through the audience’s act of witnessing. We first

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Aftermath (5 Months),another as separate but linked individuals. We examine . (2012–2014) by Lenka Clayton, . by Lizzie Philps (2013), . by Grace Surman (2010), and . (2013) and . (2018) by Megan Wynne through the lens of jouissance as first proposed by Jacques Lacan (2001 [1977]) and developed by feminist scholars incl

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Maintenance (6 Months),particularly concentrating on how both maternal life and maternal performance require that we keep going, keep repeating and endure in relation to an other. Lisa Baraitser’s contemplation of maternal time (Baraitser, 2017) and Adriana Cavarero’s propositions on maternal inclination (Cavarero, 2011)

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Generations (7 Months),owie’s conception of intergenerational waves (2010) and Iris Marion Young’s proposition of ‘a(chǎn)symmetrical reciprocity’ (1997). We look back to those who have produced us and forward to those that we will produce, biologically and culturally. Exchanges between a grandmother and grandchild take centre