Titlebook: Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics; Martin S. Lindauer Book 2020 The Editor(s) (if applic

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An Overview of the Studiesocus on (1) mass-produced paintings, (2) comparisons between mass-produced and matched museum paintings, and (3) the ability to recognize the two kinds of paintings. The studies also examined the role of age, gender, art background, and setting in responding to both kinds of paintings. A table outlines the studies.

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What This Book Is Aboutplained. Mass-produced original paintings are described along with their importance to art criticism, the psychology of art, and aesthetics; why they serve as a bridge between the popular and traditional arts; and how their study interrelates science and the humanities. Noted, too, is the place of m

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Can Mass-Produced Original Paintings Be Called Art? Discussed are changes in the status of art and reputation of artists over time; the acceptance of forgeries as genuine; the role of assistants by historical and contemporary artists; the origins and goals of Pop Art; challenges by Marxists and feminists; and the role of gatekeepers (critics, histor

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Historical and Contemporary Approaches to the Popular Artsustrial Revolution; and the Works Progress Administration [WPA]); in contemporary studies in sociology (the artistic preferences of omnivores and univores; high- and low-brow taste cultures; Gans, Bourdieu); and in psychology (sentimental art). The relative neglect of popular paintings in psychology