Titlebook: Masculinity, Class and Music Education; Boys Performing Midd Clare Hall Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 choi

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Thinking About Masculinity, Class and Music with Bourdieu,ired approach is developed by speaking back to the critiques of his work and outlining how the book will take up insights from feminist Bourdieusian sociology to expand contemporary debates on masculinities and class in education. The main conceptual resources—habitus, capital, field—are outlined, a

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Becoming Choirboys,al and emotional meanings music and singing have and their depth as a resource for self-making. Close attention is drawn to the boys’ emotional articulateness as a vital disposition of their musical habitus to question what practices, beyond the classroom, enable boys to become such accomplished you

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Vocalising Gender and Class, discussed in this chapter. The argument is developed that the musical tastes, knowledge and skills of the choirboys delineate their symbolic distinction as bearers of legitimate culture, which enables them to counter the dominant cultural narrative that this type of singing is ‘feminine’. What inha

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Clare Hallm integrated sensors. The idea was to reduce cost and perhaps put the sensors and circuits together on the same chip. By the late-60s, integrated MOS-photodiode arrays had been developed for visible imaging, and silicon etching was being used to create thin diaphragms that could convert pressure into an elect978-1-4757-7458-0978-0-306-47601-3

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