Titlebook: Masculinities in Black and White; Manliness and Whiten Josep M. Armengol Book 2014 Josep M. Armengol 2014 America.Amerikanische Literatur.g

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,Of Gray Vapors and Creeping Clouds: White (Male) Privilege as Blinding in Herman Melville’s “Benitog fathers of the “men without women” fictions that, in his view, pervade and define classic American literature. Indeed, Fiedler analyzed the friendship between Ishmael and Queequeg in . as a prototypical example for the centrality of male homosocial relations to the literary canon. Rather than wome

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,Revisiting Masculinity and/as Whiteness in Ernest Hemingway’s , and ,,in . (1978), has concentrated on proving Hemingway’s sexism as a man and as a writer. The second and more recent one, which may be instanced by Kenneth Lynn’s revisionary biography (1987), Mark Spilka’s . (1990), J. Gerald Kennedy’s “Hemingway’s Gender Trouble” (1990), Nancy Comley and Robert Schole

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,Dark Objects of Desire: The Blackness of (Homo)Sexuality in James Baldwin’s ,, most homophobic of societies, several African American writers have long turned to fiction to explore and celebrate homosexual desire, which they have vindicated as part and parcel of African (American) masculinity. In this sense, James Baldwin’s . (1956) remains one of the first, best-known, and m

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Introduction,en its unequal treatment of black people” (39). While acknowledging the achievements of the civil rights movement of the 1960s, the decade in which he was born, Obama is seen as . “stuck” in those events, but as looking at “America whole” (Tolson 42). As Kenneth T. Walsh (43) argues in another artic

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,Dark Objects of Desire: The Blackness of (Homo)Sexuality in James Baldwin’s ,,xual content, warning the writer that such a book “would ruin his reputation … and he was advised to burn the manuscript” (Weatherby 119). Even though Dial Press finally accepted the novel in 1956, Baldwin’s text was initially ignored or dismissed as a deviation in both sexual and racial terms.

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