Titlebook: Marine Debris; Sources, Impacts, an James M. Coe,Donald B. Rogers Book 1997 Springer-Verlag New York, Inc. 1997 Coast.Ocean.Pacific Ocean.c

出租

書目名稱Marine Debris影響因子(影響力)




書目名稱Marine Debris影響因子(影響力)學(xué)科排名




書目名稱Marine Debris網(wǎng)絡(luò)公開度




書目名稱Marine Debris網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Marine Debris被引頻次




書目名稱Marine Debris被引頻次學(xué)科排名




書目名稱Marine Debris年度引用




書目名稱Marine Debris年度引用學(xué)科排名




書目名稱Marine Debris讀者反饋




書目名稱Marine Debris讀者反饋學(xué)科排名

Yag-Capsulotomy

遺傳學(xué)

Book 1997 persistent solid waste in the ocean, from urban and rural discharges to waste from ships and the recreational use of oceans. The book identifies key issues from biological, technological, economic and legal perspectives, and gives a framework for controlling each of the main sources of marine debris.

CAND

除草劑

od’s readers and their reading from the kinds of standpoints that would not have been possible for the initial wave of scholars piloting this recovery endeavour. Accordingly, framing our enterprise within the parameters sketched by Robert Darnton in his seminal 1986 examination of the history of rea

緩和

inevitably inscribed in practices of private economic considerations. This situation not only complicates theories of communication and rational—critical debate premised upon face-to-face encounters, but it also complicates the process by which private individuals can participate in the public spher

Deadpan

誹謗

tick employed in introducing his field-defining scholarly enterprise, .. Such a concept, like much in that foundational study, remains a vital and apposite way of approaching research on this topic. Accordingly, where once the map of the nineteenth-century reading landscape charted by book historian

類似思想

ational discourse idealized by Jürgen Habermas from eighteenth-century bourgeois public life (Habermas 1989; 2006 (2001, 1989)). On the one hand, as Miriam Hansen notes, ‘For Habermas, the industrial dissemination of cultural products is structurally incompatible with the possibility of public disco

GORGE

ational discourse idealized by Jürgen Habermas from eighteenth-century bourgeois public life (Habermas 1989; 2006 (2001, 1989)). On the one hand, as Miriam Hansen notes, ‘For Habermas, the industrial dissemination of cultural products is structurally incompatible with the possibility of public disco