Titlebook: Managing Culture; Reflecting On Exchan Victoria Durrer,Raphaela Henze Book 2020 The Editor(s) (if applicable) and The Author(s), under excl

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Book 2020eration of education and practice as socialisation processes with global, political and social implications will be an invaluable resource to academics, practitioners and students engaging in arts and cultural management, cultural policy, cultural sociology, global and postcolonial studies..

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Introduction,utlined in this introduction to the edited volume .. This chapter calls for greater attention to be paid to the personal and social nature of arts and cultural management practice and the education and training that has come to professionalise and legitimise that practice, particularly in the contex

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Culture and International Development: Managing Participatory Voices and Value Chains in the Artsent practices have now brought culture to the fore of development. This essay analyses two important aspects of the culture and international development: (1) notions of human well-being that are fundamental to both involving people in development efforts and in thinking of how they may participate

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More Than Just Lost in Translation: The Ethnocentrism of Our Frames of Reference and the Underestimat will explore language in several ways: as regards one’s native tongue in which arts management practice is conducted, as an expression of the human mind that lies at the essence of our work, and as the terminology of the profession (especially as is used in international contexts). It involves a c

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Value as Fiction: An Anthropological Perspectivexamines the culturally relative and inherently subjective nature of value, arguing that this is contra?prevailing perspectives that view value as set and quantifiable. The chapter introduces the term ‘cracked art world’, which is proffered as an analytical tool for making sense of value’s inherent s

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The ‘West’ versus ‘the Rest’? Festival Curators as Gatekeepers for Sociocultural Diversityty of performances from contemporary theatre, dance, music or visual arts are presented. Sociocultural diversity in these festivals refers preferentially to artists and audiences with different sociocultural backgrounds and different art forms, yet in ways that further marginalize their work as well

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