Titlebook: Male Trouble; Masculinity and the Fintan Walsh Book 2010 Fintan Walsh 2010 Cultural Studies.drama.film.television.British and Irish Litera

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Homosexuality and Subjection in , and ,is not without its own performative agency. This chapter explores this recuperative dynamic by considering how homosexuality is rehabilitated through acts of violent subjection within a heteronormative imaginary. Focusing on a selection of plays by British playwright Mark Ravenhill, the chapter inve

Coronary-Spasm

Wounded Attachments in the Live Art of Ron Athey and Franko B,on to articulate ‘the reality of being queer at this particular moment’.. Following the initial outbreak of HIV/AIDS in the 1980s, which devastated gay communities, Mu?oz sees in the solo performer an ability to press queer concerns into razor-sharp relief with great immediacy: ‘More than two decade

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nepotism

mitten

An Ethic of Fragilization,ing within a distinctly phallic, sacrificial model of identity. That is to say, subjective violence both reveals and reproduces systemic violence. Male trouble emerges as a network of performative practices that contain the queer disruption that crisis might otherwise signify. While the reading offe

Culmination

have failed to improve business conditions, leaving the national rate of unemployment at high levels. In the meantime, the government deficit increased and consequently the balance of the government bond accumulated enormously. This experience cast doubt on the effectiveness of fiscal policy intende

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paroxysm

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