Titlebook: Mainstreaming Islam in Indonesia; Television, Identity Inaya Rakhmani Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Commer

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書目名稱Mainstreaming Islam in Indonesia影響因子(影響力)




書目名稱Mainstreaming Islam in Indonesia影響因子(影響力)學(xué)科排名




書目名稱Mainstreaming Islam in Indonesia網(wǎng)絡(luò)公開度




書目名稱Mainstreaming Islam in Indonesia網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Mainstreaming Islam in Indonesia被引頻次學(xué)科排名




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書目名稱Mainstreaming Islam in Indonesia年度引用學(xué)科排名




書目名稱Mainstreaming Islam in Indonesia讀者反饋




書目名稱Mainstreaming Islam in Indonesia讀者反饋學(xué)科排名

除草劑

Book 2016l heterogeneity behind rising Islamism in a democratizing society, it highlights the case of television production and the identity of its viewers. Drawing from detailed case studies from across islands in the diverse archipelagic country, it contends that commercial television has democratised the

CUMB

hematuria

Local Subjugations,s religious and ethnic groups in local, everyday contexts. ‘Local Subjugations’ analyses the way Islamic television drama continues to protract the marginalisation of religious and ethnic groups that were lumped as ‘primitive’ during the authoritarian regime.

細(xì)胞

Anxieties of the Muslim Middle Class,slamic symbols, whether critically interpreted or superficially flagged, in contemporary Indonesia. ‘Anxieties of the Muslim Middle Class’ conclude that audience segmentation reproduces distinctive aspirations and anxieties among specific social stratifications within the Muslim middle class.

不知疲倦

,Television and the Da’wah Supermarket,a’wah Supermarket’ concludes that this development has limited the kind of Islam that appears on television, resulting in ‘mainstream’ portrayals, which essentially means it is first and foremost commercially safe.

Systemic

Constitution

Market-Compatible Developmentalism,e are apprehensions towards the increasing visibility of Islam in democratising Indonesia. This chapter concludes that specific Islamic symbols aired by commercial television, or a rejection of them, resonate with particular secular, developmentalist narratives in support of national unity.

Aqueous-Humor

impale