Titlebook: MUBI and the Curation Model of Video on Demand; Mattias Frey Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive li

Left-Atrium

The Curation Business Model,These distinctions generally revolve around methods of personalisation, scale and credibility building, not to mention different taste philosophies and levels of transparency. Curation-style providers generally target and reach a small, narrow market.

殘廢的火焰

MUBI History: Connections, Community and Curation,try via partnerships and deal-making, and finally vertical forays into original co-productions, DVD distribution and theatrical exhibition partnerships, thereby assuming traditional functions of festivals, repertory cinemas, indie studios and arthouse distributors.

可行

Book 2021 have received much scholarly attention for the way that they use algorithms and big data to connect users to content, there is another significant, relatively unexamined model: curation-style services such as BFI Player, IFC Unlimited, the Criterion Channel or MUBI — the latter, which forms the foc

Fluctuate

The MUBI Audience,l information and a high trust in traditional human expertise, such as onscreen recommendations and critics’ reviews. The chapter’s use of triangulative methods offers a way for scholars to understand VOD audiences despite streaming services’ lack of public transparency about user data.

Synapse

Throttle

Klaus-Robert Müller each discipline could contribute to a broader understanding of solidarity and prosocial behavior. This interdisciplinary research project was called Prosocial Dispositions and Solidary Behavior and it was fina978-1-4419-3916-6978-0-387-28032-5Series ISSN 1572-1906

簡(jiǎn)潔

micronized

戲服