Titlebook: Lyric Tragedy; R. P. Draper Book 1985 Palgrave Macmillan, a division of Macmillan Publishers Limited 1985 literature.lyric.poetics.poetry.

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raphic indices of any country, while people make up one of the most important resources of the society. The problem of influence on the behavior of the community members and groups therefore becomes particularly relevant. Social transformations, primarily, are the processes of globalization. The glo

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Introduction,ction, or alternatively character. The supremacy of action goes back to Aristotle, who, in tragedy in particular, regards the plot as the overriding consideration: ‘Thus the incidents and the plot are the end aimed at in tragedy, and as always, the end is everything. Furthermore, there could not be

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Hardy: Illusion and Reality,t which end, none the less, with a lapidary statement having the air of authoritative, sadly won wisdom. In ‘He Did Not Know Me’ the personified figure of Tragedy does not recognise Comedy, though she does recognise him, and it is Time who answers Comedy’s bewilderment over this with the lines quote

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Edward Thomas: the Unreasonable Grief,ubby from the trees’, and in ‘The sun used to shine’ by the mixture of ripeness and rottenness in ‘the yellow flavorous coat / Of an apple wasps had undermined’.. Less immediately in terms of style, but with a similar sense of the organic process that makes death and life seem inherent in all season

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D. H. Lawrence: Tragedy as Creative Crisis,nnett’s resignation. Tragedy ought really to be a great kick at misery. But . seems like an acceptance — so does all the modern stuff since Flaubert. I hate it. I want to wash again quickly, wash off England, the oldness and grubbiness and despair.’. And six years later, in the Preface to his play,

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