Titlebook: Love, Mortality and the Moving Image; Emma Wilson Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 knowledge.

cumber

,Pietà,of the canvas. Her body drops passively as she rests on a chair. One servant stands behind her, supporting her, her hand tenderly holding the line of her upper arm. Another woman is kneeling before her, tending her feet. One hand clasps the woman’s ankle. These gestures of touch and support of a bod

cognizant

巧辦法

矛盾心理

Conclusion,ce of divisions between the living and the dead, in examining those extreme states, coma, bare life in the camps, and those motifs, the deathbed and display of the dead, the Pietà, which offer a carnal figure for hesitation between life and death. Moving image art can make visible hesitations betwee

Aviary

道學(xué)氣

Emma Wilson of fish were being cropped annually from Lake Chilwa. He based this estimate partly on net sales from his Blantyre factory and partly on a short survey of fish leaving the jetty at Kachulu. As early as 1942 Hickling had recommended that information be gathered on the fish and fisheries of Lake Chil

有雜色

猛然一拉

Pessary

健壯