Titlebook: Love in Western Film and Television; Lonely Hearts and Ha Sue Matheson Book 2013 Sue Matheson 2013 film.gender.politics.television

facetious

有幫助

Violence, Vixens, and Virgins: ,-like Women in the Stewart/Mann Westerns,racter. This conflation of genres is not unusual. Westerns used . themes because directors employed more serious and pessimistic themes; for instance, . (1947) is considered to be the first . Western, and . (1950) is Anthony Mann’s first . Western. Furthermore, as Monaco has stated, “ … it would be

抒情短詩(shī)

Eulogy

Paladin Plays the Field: 1950s Television, Masculinity, and the New Episodic Sexualization of the Pg to himself and the viewer. He buys a stack of newspapers from the bellman and crosses the lobby to read them on an opulent divan, stopping to look—and be looked at—seductively by a sumptuously dressed young Mexican woman, after which they both smile knowingly.

喃喃訴苦

Reverse Transvestism and the Classic Hero: , and the Archetypal Western (Fe)male,layed the big action sequence until the end of the picture. Those two central characters—an outlaw on the run and a prostitute—comprise the love relationship in the film, both riding off into the night together at the end of the film. In short, ., as many films to follow would be, was a revisionist

擁護(hù)者

Outlaws, Buddies, and Lovers: The Sexual Politics of , and ,,tly depicting homosexuality, . contains multiple instances of cross-dressing, and a potential development of lesbian relationship between Katie Brown (Allyn McLerie) and Calamity Jane (Doris Day). Ultimately, though, the film culminates in a heterosexual relationship between Calamity and Wild Bill H

否認(rèn)

A French Unsettlement of the Frontier: Love and the Threatened American Dream in , (1980),inants, the unconventional love triangle between henchman Nate Champion (Christopher Walken), prostitute Ella Watson (Isabelle Huppert), and sheriff Jim Averill (Kris Kristofferson) points to the need to reinvestigate . for what it does to subvert the precepts of the Western genre and the political

狗窩

A Love Story, itinerary, which had always been westward, away from the greedy and corrupt urban East. Joe dresses like a cowboy, talks like a cowboy, and thinks of himself as a cowboy, riding—albeit on a bus—into a new town. Once in town, Joe himself gets hustled by about everyone he meets, including a sickly st

assent

lipoatrophy