Titlebook: Love and Resistance in the Films of Mai Masri; Victoria Brittain Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusiv

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The Disappeared: , (1992); , (2009),wn grief as a national spokesperson over the years of these films. Archive footage shows groups of women desperately seeking answers from government officials about the fate of their fathers, sons, husbands, and brothers. Powerful repetition is used in face after face of vanished men and boys.

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,“Let the Arabs See”: , (2007), and inside a TV station where journalists form the narrative of the war from colleagues on the front line sending in reports of horror too searing to transmit. A collective Lebanese response transforms the country.

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Book 2020ese political prisoner Soha Bechara praised her feature film?.3000 Nights.?as “the ‘Lest we forget’ of Palestine." Her focus on the social and political climates of the vivid lives of unseen people connects to the deepening violence in Palestine today.

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,Keeping Going: ,—, (1995),ait of Hanan Ashrawi full of nuance and complexity far from the standard portrait of a woman who briefly became the new public face of Palestine. This film is important now, in view of the disappointments and failure of Oslo. It reveals how Hanan Ashrawi endures to this day as a beacon of inspiration for young Palestinians.

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https://doi.org/10.1007/978-3-030-37522-5Mai Masri; Palestinian Film; Arab Film; 3,000 Nights; Jean Chamoun

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978-3-030-37524-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Love and Resistance in the Films of Mai Masri978-3-030-37522-5Series ISSN 2731-4898 Series E-ISSN 2731-4901

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Victoria BrittainThe first book-length study of Mai Masri, one of the world‘s most well-known Arab women filmmakers.Includes previously unpublished primary documents representing a wide breadth of Masri‘s work.Details