Titlebook: Loss and Cultural Remains in Performance; The Ghosts of the Fr Heather Davis-Fisch Book 2012 Heather Davis-Fisch 2012 Charles Dickens.cultu

ANIM

The Designated Mourner: Charles Dickens Stands in for Franklin,focused on the stage where the most famous author in England—in the role of Richard Wardour in .—is dying. With his head in the lap of Clara, his true love, and his hand on the head of his former nemesis, Frank, he speaks his final pathetic lines: “You will remember me kindly for Frank’s sake? Poor

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數(shù)量

2947-5767 consider the tension between material remains and memory and reflect on how substitution and surrogation work alongside mourning and melancholia as responses to loss.978-1-349-34290-7978-1-137-06599-5Series ISSN 2947-5767 Series E-ISSN 2947-5775

Diastole

,Introduction: Jane Franklin’s Dress: Archives and Affect,t the Admiralty’s decision, claiming, “It would be acting a falsehood & a gross hypocrisy on my part to put on mourning when I have not yet given up all hope—Still less would I do it in that month & day that suits the Admiralty’s financial convenience” (“Letter to Mrs. Wright,” qtd. in Woodward 286)

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得罪人

,Going Native: “Playing Inuit,” “Becoming Savage,” and Acting Out Franklin,ncover relics and records from the expedition; he criticized the British government and the Admiralty for failing to recognize that “the truth could now so easily be obtained obtained, and the ground to explore so small and comparatively so easy of access!” (. 3). Furthermore, Hall was certain that

Affection

,Aglooka’s Ghost: Performing Embodied Memory,. Hall’s account of how Owwer recreated Aglooka’s actions is remarkable not only because of its content but also because it demonstrates precisely how Inuit, like Europeans, used performance to transmit knowledge of what happened to Franklin’s men and suggests that it was often . through performance

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