Titlebook: Local Invisibility, Postcolonial Feminisms; Asian American Conte Laura Fantone Book 2018 The Editor(s) (if applicable) and The Author(s) 20

知道

Processes

978-1-349-70102-5The Editor(s) (if applicable) and The Author(s) 2018

不能強迫我

Local Invisibility, Postcolonial Feminisms978-1-137-50670-2Series ISSN 2945-7491 Series E-ISSN 2945-7505

聯(lián)合

arsenal

Red and Gold Washing,y recent California exhibits. Many contemporary art institutions embrace curatorial choices that silently marginalize diasporic artists in the USA, involuntarily erasing historical connections and continuities across the Pacific Rim, all the while reassuring Western audiences of their cosmopolitanis

IVORY

heckle

habitat

2945-7491 hanged throughout the twentieth century to the presentThis book offers gendered, postcolonial insights into the poetic and artistic work of four generations of female Asian American artists in the San Francisco Bay Area. ?Nancy Hom, Betty Kano, Flo Oy Wong, Trinh T. Minh-ha, Theresa H.K. Cha, and Hu

幾何學家

Asian American Art for the People,ially the Kearny Street Workshop and the legendary I-Hotel struggle, give a sense of the cross-pollination among artists, activists, feminists, Maoists, people of color and working-class immigrants of various Asian communities—a unique environment that gave strength to the Asian American movement in the Bay Area.

有助于

Traces and Visions of In-Betweenness,uestions on Asianness in the West, questions of gender, marginality and colonialism. The chapter concludes that Trinh and Cha embrace a poetic based on “becoming other,” short-circuiting fixed identities like ethnicity and nationality, while escaping a celebratory cosmopolitanism through an ontological and aesthetic shift.