Titlebook: Living and Dying in the Roman Republic; The Series Spartacus Thomas Wilke Book 2023 The Editor(s) (if applicable) and The Author(s), under

遺棄

Identity, Persona and Issues of Recognition,t as a viewer at Spartacus’ side until the last episode of the final third season, then a strategic confusion can be observed: Spartacus himself and his close henchmen attack different and widely separated homesteads or settlements almost simultaneously, each time shouting “I am Spartacus” at the few survivors.

RAFF

,“Fuck the Gods”: Morality, Religion, and Religiosity,pts compatible with our contemporary Western ones, are they merely staged in a way that makes them connectable, or are they historically shifted in such a way that there is only a small intersection with ours today and the ones negotiated in the series are ultimately only projections of our contemporary view?

Stress-Fracture

Media and History,ral evidence or a visit to Rome. The visualization of Roman history in this temporally circumscribed area can be grasped, on the one hand, through comprehensive scholarly discourse, and, on the other hand, through diverse popular media in which the perception of the negotiated object is figured abundantly.

LEERY

駁船

Introduction,Since the turn of the millennium, history has played an increasingly important role as a (film) subject on television, not only as a media offering, but also in scholarly discourse.

向前變橢圓

The Historical Spartacus and the Media ,The historical Spartacus has occupied many historians and classical scholars in the twentieth century, especially in the period before 1989, when, for example, the question of class struggle and the placement of the uprising in a Marxist tradition of argumentation were central aspects of the controversy.

Commonwealth

證實(shí)

Entertainment in the Roman Republic and in the Series,Entertainment plays a central role in the series as a plot-driving element, which is not surprising at first. For a gladiator and the corresponding fights are also about a functionalization or utilization for a public entertainment of Roman citizens in a designated place.

JECT

障礙物

Everyday Use of Violence and Experience of Violence,The last points already refer to an aspect that goes beyond the staging of the body: visual experience of violence becomes possible through the visualization of violence. It is thus of a concrete character and belongs to the world of physical things, be it the staging of corporal punishment or the identification of slaves through branding.